Voyez du haut de ces rivages

Opera details:

Opera title:

La Muette de Portici

Composer:

Daniel Auber

Language:

French

Synopsis:

La Muette de Portici Synopsis

Libretto:

La Muette de Portici Libretto

Translation(s):

Not entered yet.

Aria details:

Type:

aria

Role(s):

Pietro

Voice(s):

Bass

Act:

5

Previous scene: Du pauvre seul ami fidele

D.F.E. Auber - LA MUETTE DE PORTICI - Barcarolle: "Voyez au haut des rivages" (Jean-Philippe Lafont)

Singer: Jean-Philippe Lafont

LA MUETTE DE PORTICI
Opéra en 5 actes
Composer : Daniel-François-Esprit Auber
Libretto : Eugène Scribe et Casimir Delavigne
First performance : Théâtre de l’Opéra (Salle Le Peletier), Paris, 29 February 1828

PLOT: Naples, 1647. The Spanish control Naples. Alfonso, the Viceroy’s son, has seduced and abandoned Fenella, a Neapolitan maiden; her brother, the fisherman Masaniello, leads a revolution against the Spanish. Masaniello is crowned King of Naples but is murdered by his fellow conspirators, and Fenella throws herself off a balcony as Vesuvius erupts.

LA MUETTE DE PORTICI (also known as MASANIELLO) was revolutionary.

The opera was performed on the night of the Belgian Revolution of 1830; and it was the first opera played after the French July Revolution of 1830. “The opera,” Wagner wrote in his “Reminiscences of Auber” (1871), “was recognised as an obvious precursor of the July Revolution, and seldom has an artistic product stood in closer connection with a world-event.”

The opera was the first true French grand opéra, a serious work in five acts, based on a historical event, with spectacular events, couleur locale, choruses and ballet. (The heroine of the title – Fenella, the mute girl of Portici – is danced by a ballerina.) It influenced Rossini’s “Guillaume Tell” and Meyerbeer’s “Robert le Diable”, and was admired by Wagner:

“Such a vivid operatic subject was a complete novelty – the first real drama in five acts with all the attributes of a genuine tragedy, down to the actual tragic ending… Each of these five acts presented a drastic picture of the greatest vivacity, in which arias and duets in the conventional operatic sense were scarcely to be detected any more, or at least – with the exception of the prima donna’s aria in the first act – no longer had this effect. Now it was the entire act, as a larger ensemble, that gripped one and carried one away.”

No. 17 – Barcarolle et Chœur : « Voyez du haut de ces rivages »
Pietro sings a barcarolle about a ship that has safely reached port despite fierce waves and pirates – and tells Morena that he has poisoned their leader Masaniello.

Pietro: Jean-Philippe Lafont
Moreno : Daniel Ottevaere
Ensemble Choral Jean Laforge

Conductor: Thomas Fulton
Orchestre Philharmonique de Monte Carlo
Monte-Carlo, 1996

Libretto/Lyrics/Text/Testo:

Not entered separately yet.

Full libretto La Muette de Portici

English Libretto or Translation:

Not entered yet.