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Abscheulicher wo eilst du hin

Opera details:

Opera title:

Fidelio

Composer:

Ludwig van Beethoven

Language:

German

Synopsis:

Fidelio Synopsis

Libretto:

Fidelio Libretto

Translation(s):

English

Recitative details:

Type:

recitative

Role(s):

Leonore

Voice(s):

Soprano

Act:

1.13a

Previous scene: Jetzt Alter hat es Eile
Next scene: Komm Hoffnung

Lilli Lehmann Fidelio Abscheulicher! Wo eilst du hin  IRCC3059 & 60 1907 réédité ca 1950

Singer(s): Edytha Fleischer Lilli Lehmann Marion Telva Viorica Ursuleac Geraldine Farrar Olive Fremstad

Lilli Lehmann - Fidelio - Abscheulicher! Wo eilst du hin  - IRCC3059 & 60 enregistrés en 1907 réédité ca 1950
Lilli Lehmann, born Elisabeth Maria Lehmann, later Elisabeth Maria Lehmann-Kalisch (24 November 1848 – 17 May 1929) was a German operatic soprano of phenomenal versatility. She was also a voice teacher.
The future opera star's father, Karl-August Lehmann, was a singer (Heldentenor) while her mother, Maria Theresia Löw (1809–1885), was a soprano. Her younger sister, Marie, also went on to become an operatic soprano.[1] Her first lessons were from her mother, who had been a prima donna under Spohr at the Cassel opera. After singing small parts on the stage, for example in Mozart's Magic Flute at Prague in 1866, and studies under Heinrich Laube in Leipzig,[2] Lehmann made her proper debut in 1870 in Berlin as a light soprano in Meyerbeer's Das Feldlager in Schlesien. She subsequently became so successful that she was appointed an Imperial Chamber Singer for life in 1876.
Lehmann sang in the first Bayreuth Festival in 1876, singing in the first complete performances of The Ring Cycle as Woglinde and Helmwige. She performed in London in 1884, and appeared at the New York Metropolitan Opera in 1885–1899. Together with her Met colleagues Fischer, Alvary, Brandt, and Seidl, she helped to popularise Wagner's music in America. By remaining in America beyond the leave granted her by the Berlin Opera, she faced a ban following her return to Germany. After the personal intervention of the Emperor, the ban was lifted.
She appeared at London's Royal Opera House, Covent Garden, in 1899 and sang in Paris and Vienna in 1903 and 1909 respectively. In 1905, she sang at the Salzburg Festival, later becoming the festival's artistic director. Lehmann was also renowned as a Lieder singer. She continued to give recitals until her retirement from the concert stage in the 1920s.
Her mature voice, of splendid quality and large volume, gained for her the reputation of being not only one of the greatest Wagnerian singers of her day but also an ideal interpreter of Bellini's Norma and the operatic music of Mozart. She was considered unsurpassed in the roles of Brünnhilde and Isolde but sang an astonishingly wide array of other parts. Indeed, across the span of her career, she performed 170 different parts in a total of 119 German, Italian and French operas. She was noted not only for her rendering of the musical score, but also as a tragic actress.[2] She was also a noted voice teacher. Among her pupils were the famous sopranos Geraldine Farrar, Viorica Ursuleac, Edytha Fleischer, Olive Fremstad and the mezzo-soprano Marion Telva. Longtime Juilliard School professor of voice Lucia Dunham, who trained many other famous singers, was also one of her pupils.[3][4]
In 1888, she married the tenor Paul Kalisch.

Lehmann founded the International Summer Academy at the Mozarteum in Salzburg in 1916. The academy's curriculum concentrated on voice lessons at first but it was extended later to include a wide variety of musical instruction.[
The Lilli Lehmann Medal is awarded by the Mozarteum in her honour. Her voice can be heard on CD reissues of the recordings which she made prior to World War I. Although past her peak as an operatic singer when she made these records, they still impress.
Source : Wikipedia

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1 - Edytha Fleischer
1 - Geraldine Farrar
1 - Lilli Lehmann
1 - Olive Fremstad
1 - Viorica Ursuleac
2 - Marion Telva
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1 - Elisabeth Schwarzkopf
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1 - Christel Goltz
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Libretto/Lyrics/Text/Testo:


SECHSTER AUFTRITT
Leonore allein.

Nr. 9 - Rezitativ und Arie

LEONORE
Abscheulicher! Wo eilst du hin?
Was hast du vor in wildem Grimme?
Des Mitleids Ruf, der Menschheit Stimme -
Rührt nichts mehr deinen Tigersinn?
Doch toben auch wie Meereswogen
Dir in der Seele Zorn und Wut,
So leuchtet mir ein Farbenbogen,
Der hell auf dunkeln Wolken ruht:
Der blickt so still, so friedlich nieder,
Der spiegelt alte Zeiten wider,
Und neu besänftigt wallt mein Blut.

Komm, Hoffnung, lass den letzten Stern
Der Müden nicht erbleichen!
O komm, erhell' mein Ziel, sei's noch so fern,
Die Liebe, sie wird's erreichen.
Ich folg' dem innern Triebe,
Ich wanke nicht,
Mich stärkt die Pflicht
Der treuen Gattenliebe!
O du, für den ich alles trug,
Könnt ich zur Stelle dringen,
Wo Bosheit dich in Fesseln schlug,
Und süssen Trost dir bringen!
Ich folg' dem innern Triebe,
Ich wanke nicht,
Mich stärkt die Pflicht
Der treuen Gattenliebe!

English Libretto or Translation:


SIXTH SCENE
Leonora alone.

LEONORA

No. 9 - Recitativo and Aria

You monster! Where will you go?
What have you planned in cruel fury?
The call of pity, the voice of mankind,
Will nothing move your tiger's wrath?
Though surge like ocean's waves
Ire and anger in your heart,
A rainbow on my path still shines,
Which brightly rests on sombre clouds:
It looks so calmy, peacefully at me,
Of happier days reminding me
And soothes thus my troubled heart.

Come hope, let not the last bright star
In my anguish be obscured!
Light up my goal, however far,
Through love I shall still reach it.
I follow my inner calling,
Waver I shall not,
Strength I derive
From faithfulness and love.
Oh you -,- for whom I bore so much,
If I could penetrate
Where malice has imprisoned you
And bring to you sweet comfort!
I follow my inner calling,
Waver, I shall not,
Strength I derive
From faithfulness and love.

Sheetmusic in our database with this aria

Operatic Anthology: Soprano

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