Opera title: | Don Pasquale |
Composer: | Gaetano Donizetti |
Language: | Italian |
Synopsis: | Don Pasquale Synopsis |
Libretto: | Don Pasquale Libretto |
Translation(s): | English Deutsch |
Type: | recitative |
Role(s): | Don Pasquale / Ernesto |
Voice(s): | Bass / Tenor |
Act: | 1.10 |
Previous scene: | Sogno soave e castro |
Next scene: | Ah! mi fa il destin mendico |
vinyl
Gaetano Donizetti
Don Pasquale
Don Pasquale--Melchiore Luise
Doctor Malatesta--Scipio Colombo
Ernesto--Juan Oncina
Norina--Lina Aymaro
A Notary--Josef Schmiedinger
Vienna State Opera/Argeo Quadri.
an operbathosa video
Libretto:
Pt3
Act 1. Scene 1.
Son rinato. Or si parli al nipotino
Prender moglie?... Sì, signore
Sogno soave e casto
Due parole ancor di volo
Ah! Mi fa il destin mendico
Juan Oncina
Juan Oncina (born April 15, 1921, Barcelona, die December 29, 2009, Barcelona) was a Spanish tenor, particularly associated with Rossini and light Donizetti roles, one of the leading tenore di grazia of the 1950s.
Life and career
Juan Oncina began his vocal studies in Barcelona with Mercedes Capsir, and later in Milan, with Oltrabella. He made his debut in Barcelona, as des Grieux in Manon, in 1946. The same year he made his Italian debut in Bologna, as Almaviva in Il barbiere di Siviglia. He appeared in 1949, as Paolino in Il matrimonio segreto, in Paris, and in Cherubini's L'osteria portoghese and Lully's Armide, in Florence.
The turning point in his career came in 1952, when he made his debut at the Glyndebourne Festival, where he was to appear until 1961, especially in Rossini roles such as Almaviva, Lindoro in L'italiana in Algeri, Ramiro in La Cenerentola, and most notably as Le comte Ory, possibly his greatest success.
Apart from Rossini, he also excelled in opera by Cimarosa and Paisiello. Other notable roles included: Don Ottavio in Don Giovanni, Nemorino in L'elisir d'amore, Ernesto in Don Pasquale, Fenton in Falstaff. In the 1960s, he began, perhaps unwisely, to expand his repertory towards heavier roles in opera by Verdi and Puccini.
Oncina was married to soprano Tatiana Menotti.
Selected recordings
Rossini - Le Comte Ory - Vittorio Gui - EMI - 1956
Rossini - La Cenerentola - Vittorio Gui - EMI - 1953
Donizetti - Don Pasquale - István Kertész - DECCA - 1964
Verdi - Falstaff - Leonard Bernstein - Sony - 1966
ERNESTO
dopo breve pausa
Due parole ancor di volo,
DON PASQUALE
Son qui tutto ad ascoltarvi.
ERNESTO
Ingannar si puote un solo:
ben fareste a consigliarvi.
Il dottore Malatesta
è persona grave, onesta,
DON PASQUALE
L'ho per tale.
ERNESTO
Consultatelo.
DON PASQUALE
E già bello e consultato.
ERNESTO
Vi sconsiglia?
DON PASQUALE
Anzi, al contrario,
m'incoraggia, n'è incantato.
ERNESTO
colpitissimo
Come? Come? Oh, questo poi...
DON PASQUALE
confidenzialmente
Anzi, a dirla qui fra noi,
la... capite?... la zitella,
ma... silenzio!.., è sua sorella.
ERNESTO
agitatissimo
Sua sorella! Che mai sento! Del dottor?
DON PASQUALE
Del dottor.
ERNESTO
after a short break
Two words still flying,
DON PASQUALE
All here to listen to you.
ERNESTO
Ingannar can only be one:
you would do well to advise you.
Doctor Malatesta
he is a serious, honest person
DON PASQUALE
I have it for that.
ERNESTO
Consult it.
DON PASQUALE
And already beautiful and consulted.
ERNESTO
Do you advise against it?
DON PASQUALE
On the contrary,
it encourages me, it is enchanted.
ERNESTO
colpitissimo
Such as? Such as? Oh, this then ...
DON PASQUALE
confidentially
Indeed, to say it here among us,
the ... do you understand? ... the spinster,
but ... silence! .., is his sister.
ERNESTO
agitated
His sister! What ever I hear! Doctor?
DON PASQUALE
Of the doctor.
Sheetmusic for recitative | ![]() |
Sheetmusic for opera | ![]() |
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