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"For almost thirty years [Clairbert} was the leading prima donna of the Monnaie in Brussels, enjoying immense popularity....To her legion of admirers she was clearly an extraordinary artist, whose singular art was described as: 'Clairbert, it is not just a name, it is a concept!....an expression of limpid facility, a crystalline and pure quality, a dazzling and infallible technique and a voice beyond comparison'."
-- Richard T. Soper, BELGIAN OPERA HOUSES AND SINGERS, pp.201-02