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Ah! tardai troppo

Opera details:

Opera title:

Linda di Chamounix

Composer:

Gaetano Donizetti

Language:

Italian

Synopsis:

Linda di Chamounix Synopsis

Libretto:

Linda di Chamounix Libretto

Translation(s):

Not entered yet.

Recitative details:

Type:

recitative

Role(s):

Linda

Voice(s):

Soprano

Act:

1.09

Previous scene: Oh! gia in collera non sono
Next scene: O luce di quest'anima

Beverly Sills: Donizetti - Linda di Chamounix, 'Ah! tardai troppo... O luce di quest'anima'

Singer(s): Leontyne Price Beverly Sills Joan Sutherland

Beverly Sills (May 25, 1929 -- July 2, 2007) was an American operatic soprano whose peak career was between the 1950s and 1970s. In her prime she was the only real rival to Joan Sutherland as the leading bel canto stylist. Although she sang a repertoire from Handel and Mozart to Puccini, Massenet and Verdi, she was known for her performances in coloratura soprano roles in live opera and recordings. Sills was largely associated with the operas of Donizetti, of which she performed and recorded many roles. Her signature roles include the title role in Donizetti's Lucia di Lammermoor, the title role in Massenet's Manon, Marie in Donizetti's La fille du régiment, the three heroines in Offenbach's Les contes d'Hoffmann, Rosina in Rossini's The Barber of Seville, Violetta in Verdi's La traviata, and most notably Elisabetta in Roberto Devereux. Sills's voice has been described at the same time "rich, supple", "silvery", "precise, a little light", "multicolored", "robust and enveloping", with "a cutting edge that can slice through the largest orchestra and chorus," soaring easily above high C. Her technique and musicianship are very praised. Conductor Thomas Schippers said in a 1971 interview with Time that she had "the fastest voice alive." The New York Times writes that "she could dispatch coloratura roulades and embellishments, capped with radiant high D's and E-flats, with seemingly effortless agility. She sang with scrupulous musicianship, rhythmic incisiveness and a vivid sense of text." Soprano Leontyne Price was "flabbergasted at how many millions of things she can do with a written scale." Her vocal range, in performance, extended from F3 to F6, and she said she could sometimes hit a G6 in warm up...

Lyrics & English Translation

Ah! Too long I have waited;
And yet I have not found
at our favorite place my dear Carlo.
And who can tell
What he has suffered!
But not as much as I have!
As a symbol of his love
He left me these posies!
What a tender heart!
And for that heart
I do adore him
It is the greatest treasure he has!
We are both but poor,
Living only on thoughts of love
If he be an unknown painter,
He will shine with his genius!
And I will be his wife.
Oh, what contentment!

Oh, you are the radiance of my soul,
Delightful life and love;
On earth and in heaven,
We will be united.
Come, my dear
And find calm in my yearning heart
That sighs for your love,
Of which mine is for you alone.


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Libretto/Lyrics/Text/Testo:

Recitative:
Ah! tardai troppo, e al nostro
favorito convegno io non trovai
il mio diletto Carlo; e chi sa mai
quanto egli avrà sofferto!
Ma non al par di me! Pegno d'amore
questi fior mi lasciò! tenero core!
E per quel core io l'amo,
unico di lui bene.
Poveri entrambi siamo,
viviam d'amor, di speme;
pittore ignoto ancora
egli s'innalzerà coi suoi talenti!Sarà mio sposo allora. Oh noi contenti!

Aria:
O luce di quest'anima,
delizia, amore e vita,
la nostra sorte unita,
in terra, in ciel sarà.
Deh, vieni a me, riposati
su questo cor che t'ama,
che te sospira e brama,
che per te sol vivrà.

English Libretto or Translation:

Not entered yet.

Sheetmusic in our database with this aria

G. Schirmer Opera Anthology: Coloratura Arias for SopranoG. Schirmer Opera Anthology: Diction Coach Coloratura Arias for SopranoPrima Donna's AlbumDonizetti: Favorite Soprano Arias

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