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Vainement ma bien aimee

Opera details:

Opera title:

Le Roi d'Ys

Composer:

Edouard Lalo

Language:

French

Synopsis:

Le Roi d'Ys Synopsis

Libretto:

Le Roi d'Ys Libretto

Translation(s):

Not entered yet.

Aria details:

Type:

aria

Role(s):

Mylio

Voice(s):

Tenor

Act:

3

Previous scene: Puisque on ne peut fléchir
Next scene: A l'autel j'allais rayonnant

Miguel Fleta - Vainement, ma bien-aimée

Singer: Miguel Fleta

Miguel Burro Fleta (1897-1938) was an extraordinarily popular tenor whose brief, turbulent and tragic life is the stuff of legend. The last of fourteen children, Fleta was born in Aragón near the close of the 19th century. He began his working life as a field worker but enjoyed singing the folksongs of his region. Encouraged by his friends, Fleta entered a Jota competition in the fall of 1917. Although he didn’t win, his participation led to studies at the Conservatory of Barcelona. There, Fleta met the woman who would become his mentor, lover and mother to two of his children, Luisa Pierrick. Fleta’s vocal coaching with Pierrick had lasted less than two years when, shortly before his 22nd birthday, the young tenor made his operatic debut in Trieste. The role was Paolo in Zandonai’s Francesca da Rimini under the baton of the composer himself. Pierrick aggressively promoted her protégé/lover throughout Italy, perhaps pushing the tenor beyond his youthful limitations. Within three years of his debut, Fleta was compelled to cancel performances owing to throat issues…an alarming omen of things to come.

Fleta’s rise was meteoric. Before reaching the age of 25, the young tenor had sung in the major theaters of Budapest, Prague, Vienna, Monte Carlo, Rome, Genoa, Madrid, Buenos Aires and others. He created the role of Romeo in Zandonai’s Giulietta e Romeo in Rome in February of 1922 and made his Metropolitan Opera debut on November 8, 1923 as Cavaradossi in Puccini’s Tosca. Fleta became the darling of critics and public alike during his years in New York. He sang thirty-seven performances of nine operas at the MET…Tosca, Rigoletto, La Bohème, Andrea Chénier, Aïda, Les Contes d’Hoffmann, Carmen, Pagliacci, L’Amico Fritz…and seemed destined for a long and illustrious career in New York. A January, 1925 performance of Rigoletto, however, would be Fleta’s final appearance at the MET.

Fleta was scheduled to return to the MET for the 1925/26 season, but broke his contract, ostensibly to perform mandatory service in the Spanish army. Meanwhile, in Milan, preparations were underway for the premiere of Puccini’s final opera, Turandot. When news reached New York that Fleta was among the cast, MET management was furious. The MET filed suit against the tenor, finally winning a judgement of $20,000…and enormous sum in those days. Needless to say, Fleta never sang in North America again. Ironically, Calaf was not a role that suited Fleta and he abandoned it after only a handful of performances. One wonders if the tenor’s rash decision was worth it.

A 1928 tour took Fleta across the South Seas…nearly 100 performances in ten months…and he returned to Spain exhausted. His voice was beginning to deteriorate and he found himself turning more and more to zarzuelas in order to keep performing. Fleta also appeared in the film, “Miguelón, El Último Contrabandista” in 1934. The film, sadly, was a commercial failure. Fleta also became involved with Franco’s Falangist movement. Loyalist forces put a price on his head and he was forced to sell his properties and flee. His final operatic performance was an April, 1937 Carmen in Lisbon. Fleta now lived in hiding, fearful that the Loyalists would catch up with him. In the end, what caught up with Fleta were years of excess. Unchecked eating, drinking and carousing…not to mention an early case of syphilis that had never been properly treated…eventually stopped the tenor in his tracks. While resting in La Coruña, his health rapidly deteriorated. Renal failure was the culprit and, despite a valiant struggle, Fleta expired on May 29, 1938. He was only 40 years old.

Miguel Fleta’s was a remarkable instrument…rich and baritonal, with pealing top notes that sent audiences into a frenzy. His sensitive artistry and attention to musical detail were extraordinary…not a single note was ever wasted. Yet Miguel Fleta squandered this magnificent gift during his brief career through extravagant living, risky career choices and just too much singing. Be that as it may, it is impossible to imagine it any other way. That was Miguel Fleta.

Fleta recorded nearly 100 sides for Victor and HMV between 1922 and 1934. Here, Fleta sings Mylio's aubade, "Vainement, ma bien-aimée" from Lalo's Le Roi d'Ys. This recording was made for HMV in 1931.

Watch videos with other singers performing Vainement ma bien aimee:

Giuseppe Di Stefano Vainement ma bienaimee 12629
5 - Giuseppe Di Stefano
Juan Diego Florez Rosenblatt Recital Vainement ma bienaimee Lalo 12626
5 - Juan Diego Flórez

Roberto Alagna Vainement ma bien aimee Edouard Lalo Le Roi d Ys  12625
5 - Roberto Alagna
Henri Legay Vainement ma bienaimee 12643
5 - Henri Legay

Nicolai Gedda Puisqu on ne peut flechir Vainement ma bien aimee 88th birthday tribute 12640
5 - Nicolai Gedda
Beniamino Gigli Vainement ma bienaimee 1922 12651
5 - Beniamino Gigli

Vainement ma bien aimee Le roi dYs Tenor Miguel Fleta 12649
5 - Miguel Fleta

Lalo Le Roi d Ys aria Vainement ma bien aimee Robert White tenor 12653
5 - Robert White

Part III Rare and unknown voices JOSEPH ROGATCHEVSKY 75655
6 - Jacques Isnardon
Edmond Clement Vainement ma bien aimee from Le Roi d ys Edouard Lalo 75659
5 - Edmond Clément

Soprano Nellie Melba Le roi d Ys 1906 75660
1 - Nellie Melba
Le Roi D Ys Vainement Ma Bien Aimee Alfredo Kraus Inedito Volumen I 12673
5 - Alfredo Kraus

Vainement ma bien aimee le roi d ys Joseph Rogatchewsky Lalo 12655
5 - Joseph Rogatchewsky
Carlo Bergonzi Vainement ma bienaimee Live 1984 12672
5 - Carlo Bergonzi

William Matteuzzi Mylio aria Vainementma bienaimee Le roi d Ys Edouard Lalo  12648
5 - William Matteuzzi
100 Singers DAVID DEVRIES 75673
5 - David Devriès

Richard Tauber Le Roi Dys Lalo Puisquon Etait Vainement Ma Bien Aimee 12661
5 - Richard Tauber
Alain Vanzo Vainement ma bien aimee Lalo wtransl 75676
5 - Alain Vanzo

Cesar Vezzani Vainement ma bienaimee 75681
5 - César Vezzani
Jonas Kaufmann Vainement ma bienaimee LE ROI D YS Edouard Lalo 12641
5 - Jonas Kaufmann

Miguel Villabella Vainement ma bienaimee 75704
6 - Lucien Fugère

Le Roi dYs Vainement ma bien aimee 75711
5 - Richard Crooks

Vainement ma bienaimee Aubade from Le Roi d Ys 75716
5 - Marcelo Álvarez
Le Roi d Ys Act III Puisqu on ne peut flechir Vainement ma bien aimee  75731
5 - Dennis O'Neill

Lalo Le Roi d Ys Act 3 Puisqu on ne peut flechir ces jalouses gardiennes vainement ma 75761
5 - David Hobson
Le roi d Ys Acte III Scene 1 Puisqu on ne peut flechir Vainement ma bienaimee  12636
5 - Jonas Kaufmann
6 - Philip Kraus

Renato Sassola Vainement ma bien aimee Le Roi d Ys by Edouard Lalo 12652
5 - Enrico Caruso
5 - Flaviano Labò
5 - Giuseppe Di Stefano
5 - Marcelo Álvarez
5 - Plácido Domingo
6 - Erwin Schrott
6 - Luca Pisaroni
6 - Manuel Ausensi
Act 1 Tableau Noel Noe Noel 50215
1 - Janine Micheau
2 - Rita Gorr

Le Roi d Ys Act III Tableau I Puisqu on ne pet flechir Vainement ma bienaimee  75718
5 - Henri Legay
6 - Jean Borthayre

Libretto/Lyrics/Text/Testo:

Not entered separately yet.

Full libretto Le Roi d'Ys

English Libretto or Translation:

Not entered yet.