Dein ist mein ganzes Herz

Richard Tauber Role:Prince Sou-Chong
The Land of Smiles (Das Land des Lächelns) is a 'romantic' operetta in three acts by Franz Lehár. The German language libretto was by Ludwig Herzer and Fritz Löhner. The performance time is about 100 minutes.
This was one of Lehár's later works, and has a bittersweet ending which the Viennese loved. The title refers to the Chinese custom of smiling, whatever happens in life. (The leading character, Prince Sou-Chong has a song early in the show, "Immer nur lächeln" ("Always smiling") which describes this.)
The Tauberlied

Lavishly produced, the show was built largely around the performance of the tenor Richard Tauber, a close friend of Lehár's, for whom he customarily wrote a Tauberlied —a signature tune exploiting the exceptional qualities of his voice— in each of his later operettas. On this occasion it was "Dein ist mein ganzes Herz" ("You are my heart's delight"), probably the most famous of all the Tauberlieder. Tauber also appeared in the show in London, singing countless encores of his song.
[edit] Performance history

The work was originally produced under the title Die gelbe Jacke (The Yellow Jacket). This was presented at the Theatre an der Wien, Vienna on 9 February 1923 with Hubert Marischka as Sou-Chong. It was not a great success, and Lehár later revised it, under the new title of Das Land des Lächelns, which was first performed, at the Metropol Theatre, Berlin, on 10 October 1929. Tauber reprised his role in London (1931) and New York (1946), as well as in Vienna in 1930 (again at the Theatre an der Wien) and in 1938 (at the Vienna State Opera).

Sadler's Wells Opera produced it in London in the late 1950s, after the success of Lehár's The Merry Widow starring June Bronhill had rescued the company from bankruptcy. Starring Charles Craig, Elizabeth Fretwell and Bronhill, the show didn't attract the same audiences as The Merry Widow. However, Craig's singing on a recording is outstanding, with some top D♭ notes at the end of his big numbers.
Roles
Role Voice type Premiere Cast,
10 October 1929
(Conductor: Franz Lehár)
Prince Sou-Chong tenor Richard Tauber
Lisa soprano Vera Schwarz
Count Gustav von Pottenstein tenor Willi Stettner
Lore mezzo-soprano
Mi soprano Hella Kürty
Tschang baritone Adolf Edgar Licho
Fu Li spoken Ernst Morgan
Synopsis

The operetta is set in Vienna and China in 1912. In Act I, in Vienna, the heroine Lisa, a Countess, marries a Chinese prince and returns with him to his homeland despite the warnings of her friends and family. In Act II, in Beijing, she finds that she is unable to come to terms with his culture, and especially that he must take other wives. He assures her that it's just a formality, but unhappiness is inevitable, and she is locked in the palace. Her love changes to hate. In Act III, Prince Sou-Chong is left alone, while his beloved Lisa returns to her homeland. His sister, Princess Mi had also become attached to the Viennese official Gustav, and so the ending is doubly sad. But the prince respects the rule of his custom: always smile.
Richard Tauber (16 May 1891 8 January 1948)[1] was an Austrian tenor acclaimed as one of the greatest singers of the 20th century. Some critics commented that "his heart felt every word he sang".
Part1
Early life

He was born in Linz, Austria to Elisabeth Seiffert, an actress who played soubrette roles at the local theatre. His father, Richard Anton Tauber, also an actor, was not married to his mother and was unaware of the birth as he was touring America at the time. Being born out of wedlock, he was given the name Richard Denemy (Denemy being his mother's maiden name). He also used the names Ernst Seiffert, Carl Tauber and C. Richard Tauber at various times.
Richard accompanied his mother on tour to various theatres but she found it increasingly difficult to cope, and in 1897 he was sent to school in Linz, when his father took over his upbringing. His father, who had a Jewish background but had converted to Catholicism, hoped that Richard would become a priest, but the boy missed the excitement of the theatre and instead joined his father in Prague, and subsequently in 1903 at the theatre in Wiesbaden. Richard hoped to become a singer but failed to impress any of the teachers he auditioned for, probably because he chose to sing Wagner, for which his voice was not suited. Consequently, his father entered him at the Hoch Conservatory in Frankfurt-am-Main to study piano, composition and conducting, subjects which stood Tauber in good stead in later years. He made rapid progress but he still hoped to become a singer; whilst staying with friends at Freiburg he was heard by the well-known voice teacher Professor Carl Beines who encouraged him to sing more quietly and promised a good career as a Mozart tenor.