New: Save your favorite arias, videos and singers!
Tell me more - Check it later - Not interested

O Dieu de quelle ivresse

Opera details:

Opera title:

Les Contes d'Hoffmann


Jacques Offenbach




Les Contes d'Hoffmann Synopsis


Les Contes d'Hoffmann Libretto


English Deutsch

Aria details:









Previous scene: Je vous dis
Next scene: Amis l'amour tendre et reveur

Peter Anders - O Dieu, de quelle ivresse (Tales of Hoffmann)

Singer(s): Peter Anders Max Lorenz

Peter Anders (1908-1954) was a versatile German tenor who excelled in opera, operetta and Lieder. Born Emil Anders in Essen to a civil servant and his wife, he exhibited musical talent at an early age. The family moved to Berlin following the First World War and the future tenor took a keen interest in local operatic productions. By the time he was in his late teens, Anders had decided that he wanted to pursue a career as an opera singer. At age 20 he began studies with Ernst Grenzenbach (mentor to famed Heldentenor Max Lorenz) and eventually moved on to the opera program of the Berlin Academy of Music. He also studied with contralto Lula Mysz-Gmeiner, whose daughter eventually became his wife.

Anders was engaged as a character tenor by the Heidelberg Municipal Theater, where he made his debut in 1932. Among his early roles during his first season were Pedrillo in Die Entführung aus dem Serail and Jacquino in Fidelio. The year 1933 found Anders in Darmstadt for the first time, where he spent two seasons. This was followed by contracts in Cologne and Hannover. By this time, Anders had graduated to leading roles, singing such parts as Belmonte in Die Entführung aus dem Serail, Tamino in Die Zauberflöte and Lionel in Martha. In 1938, the tenor was invited to the Munich State Opera, where he sang in the world premiere of Richard Strauss’ opera Friedenstag. German Chancellor Adolf Hitler, who was in the audience, denounced the work’s anti-war sentiment. Anders, however, became a favorite of Hitler and the Nazis. This coveted status as a preferred artist of the Third Reich carried with it many advantages which the tenor exploited. Unfortunately, this status would adversely affect his reputation after the war’s end.

Anders was invited to the Berlin State Opera in 1940, where he remained until 1948. He also appeared as a guest artist at the Vienna State Opera, La Monnaie in Brussels, London’s Covent Garden, the San Carlo in Naples and the Glyndebourne Festival. Anders amassed a repertoire of over 30 roles in such operas and operettas as La Traviata, Rigoletto, La Bohème, Tosca, The Bartered Bride, Les Contes d’Hoffmann, Der Zigeunerbaron and Das Land des Lächelns. He was also a popular star on radio and his recordings were best sellers.

After leaving Berlin, Anders accepted a contract with the Hamburg State Opera. Here, he began exploring more and more dramatic repertoire, such as Radames in Aïda, Don Alvaro in La Forza del Destino, Florestan in Fidelio, Canio in Pagliacci, Siegmund in Die Walküre and the title roles in Lohengrin and Tannhäuser. Although many felt that Anders assumption of such heavy roles adversely affected the beauty and flexibility of his tone, his interpretation of title role in Verdi’s Otello, which he essayed in 1950, was met with great acclaim.

On September 4, 1954, Anders finished an engagement in Plettenberg and immediately set out for Hamburg. During a brief stop in Hannover, friends encouraged him to spend the night and get some much needed rest. Although still quite exhausted from the performance, the tenor insisted on driving the final leg of the four-hour trip himself. Just south of Hamburg in the early morning hours of September 5, Anders lost control of his Mercedes while passing another vehicle, flipped over and crashed into a telephone pole. Although his passenger was relatively unhurt, Anders was grievously injured and was taken to the local trauma hospital. After lingering for five days, Peter Anders succumbed to his injuries on September 10. He was only 46 years old.

Peter Anders was bestowed with an uncommonly beautiful lirico-spinto voice and a wonderfully expressive musical instinct. Sadly, he is not as well remembered as he should be due to his untimely death. In addition, Anders never appeared in the U.S., possibly due to his wartime association with the Nazi Party. Politics aside, Peter Anders was a compelling vocal artist who deserves to have a lasting musical legacy.

Peter Anders made hundreds of recordings, mainly for Telefunken, from the mid-1930s until the time of his death. In this recording, Anders sings a German language version of "O Dieu, de quelle ivresse" ("Ha, wie in meiner Seele") from Offenbach's Les Contes d'Hoffmann. This was recorded in Berlin in 1946.

Watch videos with other singers performing O Dieu de quelle ivresse:

Rolando Villazon singing O Dieu de quelle ivresse from LES CONTES D HOFFMANN 129670
5 - Rolando Villazón
ALFREDO KRAUS Hoffmann 6 Parma 1988 129672
5 - Alfredo Kraus

Neil Shicoff O Dieu de quelle ivresses from Les Contes d Hoffmann  129673
5 - Neil Shicoff
Plcido Domingo O Dieu de quelle ivresse embrasestu mon me The Tales of Hoffmann Offenbach 877
5 - Plácido Domingo

Giuseppe Filianoti Les contes d Hoffmann O Dieu De quelle ivresse 129676
5 - Giuseppe Filianoti
Stephen Mark Brown as Hoffmann 129679
5 - Stephen Mark Brown

Fernando del Valle Tenor O Dieu de quelle ivresse HOFFMANN 221807
5 - Fernando del Valle

Tenore MIGUEL VILLABELLA Les Contes d Hoffmann O Dieu de quelle ivresse  129682
6 - Lucien Fugère

Stefano Secco Sophie Kock O dieu de quelle ivresse Les Contes D Hoffmann 129686
5 - Stefano Secco
Sandor Konya sings O dieu de quelle ivresse from Les Contes d Hoffmann 129691
5 - Sándor Kónya

Les Contes d Hoffman Act 4 O Dieu de quelle ivresse Hoffmann 129729
5 - Roberto Alagna
Les contes d Hoffmann The Tales of Hoffmann Act IV O Dieu de quelle ivresse 129714
5 - Piotr Beczała

O dieu de quelle ivresse Les Contes de Hoffman 221811
5 - Marcelo Álvarez
O Dieu de quelle ivresse Les contes dHoffmann 129708
5 - Raoul Jobin

Richard Tauber O Dieu de quelle ivresse 1928 221812
5 - Richard Tauber
Max Hirzel O Dieu de quelle ivresse 221815
5 - Lauritz Melchior

O Dieu de quelle ivresse from Les Contes d Hoffmann 1989 Remastered Version 129728
5 - Nicolai Gedda
OFFENBACH LES CONTES D HOFFMANN Dieu de quelle ivresse 221818
5 - Juan Diego Flórez

Les contes d Hoffmann The Tales of Hoffmann O Dieu de quelle ivresse 129715
5 - Charles Dalmorès
Les Contes D Hoffman Act III O Dieu De Quelle Ivresse  129722
5 - Charles Kullman

Offenbach Les Contes d Hoffmann Act 4 O Dieu de quelle ivresse  221829
5 - Francisco Araiza

Placido Domingo Roberto Alagna Neil Shicoff 129671
5 - Neil Shicoff
5 - Plácido Domingo
5 - Roberto Alagna

Vittorio Griglo O dieu de quelle ivresse from Hoffmann Official video 50920
5 - Alfredo Kraus
5 - Plácido Domingo
5 - Rolando Villazón
5 - Vittorio Grigolo
Les Contes d Hoffmann Acte IV O Dieu de quelle ivresse  129683
5 - Jonas Kaufmann
6 - Philip Kraus

100 Singers VITTORIO GRIGOLO 129677
5 - Jonas Kaufmann
5 - Joseph Calleja
5 - Plácido Domingo
5 - Rolando Villazón
5 - Vittorio Grigolo
Les Contes d Hoffmann Epilogue scene 2 O Dieu de quelle ivresse  129690
5 - Vittorio Grigolo
6 - Philip Kraus

Peter Anders O Dieu de quelle ivresse Tales of Hoffmann 129697
5 - Max Lorenz
5 - Peter Anders
Les Contes d Hoffmann 2003 Remastered Version Act III Vous me quittez O Dieu de quelle 129709
5 - André Mallabrera
5 - Michel Sénéchal
5 - Nicolai Gedda
6 - Ernest Blanc
6 - George London
6 - Jean-Christophe Benoît

Julius Patzak O Dieu de quelle ivresse In German LES CONTES D HOFFMANN Jacques Offenbach 221832
5 - Gustav Walter
5 - Julius Patzak


Ô Dieu! de quelle ivresse
Embrases tu mon âme!
Comme un concert divin
Ta voix m'a pénétré!
D'un feu doux et brûlant
Mon être est dévoré;
Tes regards
Dans les miens ont épanché leur flamme,
Comme des astres radieux
Et je sens, ô ma bienaimée,
Passer ton haleine embaumée
Sur mes lèvres et sur mes yeux.

English Libretto or Translation:

Not entered separately yet.

Full English translation Les Contes d'Hoffmann

Contributors to this page