In quelle trine morbide

Opera details:

Opera title:

Manon Lescaut

Composer:

Giacomo Antonio Puccini

Language:

Italian

Synopsis:

Manon Lescaut Synopsis

Libretto:

Manon Lescaut Libretto

Translation(s):

English Deutsch

Aria details:

Type:

aria

Role(s):

Manon Lescaut

Voice(s):

Soprano

Act:

2.03

Previous scene: Sei splendida e lucente
Next scene: Poiche tu vuoi saper

Hina Spani, "In quelle trine morbide", Puccini: Manon Lescaut (HMV, 1927)

Singer: Hina Spani

The great Argentinian soprano Hina Spani (1896-1969) in "In quelle trine morbide" from Act 2 of Puccini's Manon Lescaut. The recording was made for HMV in 1927. She was accompanied by the Orchestra del Teatro alla Scala di Milano, conducted by Carlo Sabajno.

The following biographical notes on Spani come from "Andrea's Subito-Cantabile: A Site for Collectors of the Great Singers of the Past" ("Spani's real name was Higinia Tunon. She started to take singing lessons at the age of eight and gave her first public concert in Cordoba at the age of 12. Her first teacher was Amanda Campodonico in Buenos Aires. She left for Italy to continue her studies with Vittorio Mortatti in Milan.

She made her début as Anna in Catalani's Loreley at La Scala in 1915. Soon after she appeared at the Teatro Colón in Buenos Aires as Micaela, Nedda and Ines in Meyerbeer's L'Africana. World War I disrupted her career but she gave many recitals in which she often sang German Lied repertoire. This preference for German music continued to the end of her career. In 1919 she returned to Italy and appeared in various opera houses. She sang her first Elsa in Wagner's Lohengrin in the same year, this being one of her most famous roles. She also appeared as Elisabeth in Tannhäuser, as Maddalena, Desdemona, Mimì, Marina, Sieglinde, Santuzza and Wally. In 1924 she added Aida, Amelia and Giulietta (Zandonai). She sang Margherita in Boito's Mefistofele opposite de Angelis, Pertile and Arangi-Lombardi, conducted by Toscanini. In 1926 she sang recitals in Italy (often Wagner's Wesendonck-Lieder!) and appeared in all Italian, Spanish and South American opera houses. She declared that she preferred song to opera and that the expressive power of the Lied was to her the greatest source of satisfaction. She also appeared in Australia and Switzerland. She added further roles to her repertoire: Leonora (Trovatore), Madame Butterfly, Marguerite in Faust and Tosca. During her final years she mostly sang dramatic roles such as Turandot and Lady Macbeth. Nevertheless she continued to sing lyric roles. She terminated her operatic career in 1940 but continued to give recitals until 1946. She became a highly esteemed professor at the Music High School of the University of Buenos Aires. For some years Hina Spani was the Director of that institute. Her career was mostly centered in South America, Spain and Italy. She did neither appear at the Met nor in England or Germany. This may be the reason why she is still underrated. She enjoyed a long and successful career and sang opposite the greatest singers such as Caruso, Chaliapin, Bonci, De Angelis, Ruffo, Stracciari, Gigli and many others.

Spani was a true dramatic soprano. Her upper register was particularly remarkable, coupled with brilliance and a fine attack. She was very responsive to changing moods and to the sense of words. In the opinion of renowned critic John Steane (in his book "The Grand Tradition"), she made some of the most satisfying and exciting operatic records to be heard from the early years of electrical recordings. With Hina Spani we can learn what impassioned singing is about."

Watch videos with other singers performing In quelle trine morbide:

Maria Callas In quelle trine morbide Manon Lescaut Giacomo Puccini 17969
1 - Maria Callas
In Quelle Trine Morbide Renee Fleming 18011
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Angela Gheorghiu Manon Lescaut In quelle trine morbide Puerto Rico 2005 17983
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In Quelle Trine Morbide Renata Scotto 17975
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Kanawa In quelle trine morbide from Manon Lescaut 17974
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MIRELLA FRENI In quelle trine morbide Liceu 1990 17985
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Manon Lescaut In quelle trine morbide Opolais 17982
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The World s Most Beautiful Woman Soprano Lina Cavalieri In quelle trine morbide 1910 84246
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Karita Mattila Manon Lescaut In quelle trine morbide 17991
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Mara Zampieri Puccini Manon Lescaut In quelle trine morbide 84250
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Renata Tebaldi In quelle trine morbide 1959 17995
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Anna Netrebko In Quelle Trine Morbide Manon LescautGPuccini 17967
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Virginia Zeani In quelle trine morbide Manon Lescaut 18008
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Eva Marton In quelle trine morbide Manon Lescaut 17988
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Daniela Dessi In quelle trine morbide  84253
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Katia Ricciarelli Puccini Manon Lescaut Marrakech 1989 84256
1 - Katia Ricciarelli

2 Manon Lescaut Te Kanawa Thomas Allen In quelle trine morbide  17993
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Felicia Weathers sings Manon Lescaut 84259
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Soprano MAGDA OLIVERO Manon Lescaut In quelle trine morbide 1949 84260
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Manon Lescaut In quelle trine morbide Kelly Kaduce 84263
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Miriam Gauci In quelle trine morbide L ora o Tirsi Sola perduta abbandonata 84264
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In Quelle Trine Morbide Ruth Ann Swenson 84265
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ELIANE COELHO Manon Lescaut In quelle trine morbide  84267
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Marina Krilovici In quelle trine morbide Manon Lescaut Giacomo Puccini 18013
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In quelle trine morbideLina Bruna Rasa soprano 84271
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Ghena Dimitrova Manon Lescaut In quelle trine morbide 1978 Valencia 18005
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Manon Lescaut In quelle trine morbide Marina Rebeka 17994
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MANON LESCAUT In quelle trine morbide ADRIANA MALIPONTE 17998
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Sylvie Valayre in quelle trine morbide 84277
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Maria Guleghina In quelle trine morbide Manon Lescaut 84329
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Liudmyla Monastyrska In quelle trine morbide Manon Lescaut Puccini 17977
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Puccini Manon Lescaut In quelle trine morbide Giannina Russ 1905 84342
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Soprano CARMEN MELIS Manon Lescaut In quelle trine morbide 1917 84346
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Lella Cuberli Puccini In quelle trine morbide 84352
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ANTONINA LISOHORSKA In Quelle Trine Morbide aria di Manon MANON LESCAUT G Puccini 18009
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Licia Albanese In quelle trine morbide MANON LESCAUT Giacomo Puccini 17992
1 - Licia Albanese

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Sylvia Sass In quelle trine morbide MANON LESCAUT Giacomo Puccini 17980
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In quelle trine morbide Soprano Arianna Castelli 84301
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1 - Katia Ricciarelli
2 - Fedora Barbieri

Libretto/Lyrics/Text/Testo:

MANON
È ver! L'ho abbandonato
senza un saluto, un bacio!
Si guarda intorno e si ferma cogli occhi all'alcova.
In quelle trine morbide …
nell'alcova dorata v'è un silenzio
gelido, mortal, v'è un silenzio,
un freddo che m'agghiaccia!
Ed io che m'ero avvezza
a una carezza
voluttuosa
di labbra ardenti e d'infuocate braccia
or ho tutt'altra cosa!
pensierosa
O mia dimora umile,
tu mi ritorni innanzi
gaia, isolata, bianca
come un sogno gentile
di pace e d'amor!

English Libretto or Translation:

MANON
It's ver! I abandoned it
without a greeting, a kiss!
He looks around and stops with his eyes at the alcove.
In those soft lace ...
in the golden alcove there is a silence
frosty, mortal, there is a silence,
a cold that chills me!
And I was used to it
to a caress
voluptuous
of burning lips and fiery arms
or I have another thing!
pensively
O my humble home,
you come back to me
gay, isolated, white
like a kind dream
of peace and of love!

This is a partly automated translation. Please help us with corrections or provide us with a complete new translation. We will gladly mention the translator. Contact

Sheetmusic in our database with this aria

G. Schirmer Opera Anthology: Arias for Soprano Volume 2G. Schirmer Opera Anthology: Diction Coach Arias for Soprano Volume 2Operatic Anthology: SopranoModern Soprano Operatic AlbumRenata TebaldiPuccini Arias for Soprano Volume 1Puccini: Arias for Soprano