Dawn Kotoski

Dawn Kotoski (born 1966) is an American operatic soprano who has a substantial international opera career. She began her career at the Metropolitan Opera in New York City during the late 1980s singing lighter lyric soprano and soubrette roles. She joined the Vienna State Opera for the 1993–1994 season and since then her career has been centered mostly in Europe. She is the wife of tenor Neil Shicoff.

Born in Baltimore, Maryland, Kotoski studied at the Manhattan School of Music and then entered the Young Artist Program at the Metropolitan Opera. She made her professional opera debut at the Met as Poussette in Jules Massenet's Manon on 22 September 1987 with Catherine Malfitano in the title role. She sang several more roles at the Met over the next couple years including Giannetta in Gaetano Donizetti's L'elisir d'amore with Dawn Upshaw, Ruth Ann Swenson, and Kathleen Battle alternating as Adina (1988–1989), the Dew Fairy in Humperdinck's Hänsel und Gretel (1988–1989), and one of the unborn children in Richard Strauss's Die Frau ohne Schatten. In 1988 she sang the title role in Handel's Partenope with Opera Omaha and in 1989 she sang the role of Sophie in Massenet's Werther with the Opera Theatre of Saint Louis.

In 1990 she sang the role of Walter in Alfredo Catalani's La Wally with the Opera Orchestra of New York. That same year she won the Young Concert Artists International Auditions which led to her New York City recital debut at the 92nd Street Y on 13 November 1990 accompanied by pianist Warren Jones and flautist Eugenia Zukerman. She repeated the recital the following March at the Kennedy Center in Washington, D.C. As a winner of YCA, she gave further recitals throughout the United States. In 1991 Kotoski made her debut with the Lyric Opera of Chicago as Papagena in Wolfgang Amadeus Mozart's The Magic Flute, her debut with Calgary Opera as Sussana in Mozart's Le nozze di Figaro, and she sang the soprano solos in Mozart's Mass in C minor at the Mostly Mozart Festival. That same year she won Orchestra New England's soloist prize and she made her debut with the Canadian Opera Company as Marzelline in Beethoven's Fidelio. In 1992 she sang the role of Barbarina in a concert version of Mozart's Le nozze di Figaro with the Chicago Symphony Orchestra under the baton of Daniel Barenboim and she sang the role of Galatea in Handel's Acis and Galatea with the Seattle Symphony Orchestra and Chorus under conductor Gerard Schwarz.