|Year of Birth:||1943|
|Year of Death:||2002|
Gösta Winbergh (December 30, 1943 – March 18, 2002) was a Swedish tenor.
Winbergh was born in Stockholm. There was no musical tradition in Winbergh's family. He himself was a building engineer when he watched his first opera performance in 1967; the experience so moved him that he decided on an operatic career. Accordingly, he applied for the opera class at Sweden's Royal Academy of Music. He trained at the school between 1969-71. He began singing at the Royal Opera in Stockholm, and gradually began to receive international attention in the 1980s when he guest performed on stages abroad. Copenhagen, Aix-en-Provence, San Francisco and in 1980, Glyndebourne, where he sang Belmonte. He later worked several times at the opera house in Zürich and at the Metropolitan Opera in New York City, singing Mozart's Don Giovanni, Wagner's Lohengrin, Verdi's Rigoletto and Puccini's Turandot.
For the first two-thirds of his 30-year career, Gösta Winbergh specialized in Mozart's operas. He played Don Ottavio in Don Giovanni at the Met, at the Salzburg Festival, in Houston and Chicago, Berlin and Barcelona. He sang Ferrando in Cosi fan tutte at the Drottninghom Court Theatre and Tamino in The Magic Flute for his debut at La Scala, Milan. Other Mozart roles in his repertory were Idomeneo, Mitridate and Titus.
He also sang lyric roles such as Almaviva in Il barbiere di Siviglia, the Duke in Rigoletto, Alfredo in La traviata, Nemorino in L'elisir d'amore and Lenski in Eugene Onegin. Then in 1991 at Zurich he sang his first Lohengrin, and moved on to other heavier roles such as the Emperor in Die Frau ohne Schatten, Don Jose in Carmen and Florestan in Fidelio.