It's quite unusual for a performer to start and conclude their professional careers in the same opera but that's exactly what happened with the Australian bass, Donald Shanks. He was an Opera Australia stalwart who joined the company in 1964 at the age of 23. He gave his first and last performances in Gilbert & Sullivan’s THE MIKADO, taking his final bow (in the title role) in 2004 – forty years after his debut. From that final performance, here is his Entrance and Aria - live from the Sydney Opera House. Rosemary Gunn is the Katisha and the brilliant Jonathan Biggins, in the short dialogue, is KoKo. The orchestra is conducted by Brian Castles-Onion.
Watch videos with other singers performing A more human Mikado:
A more humane Mikado never Did in Japan exist, To nobody second, I'm certainly reckoned A true philanthropist. It is my very humane endeavour To make, to some extent, Each evil liver A running river Of harmless merriment.
My object all sublime I shall achieve in time-- To let the punishment fit the crime-- The punishment fit the crime; And make each prisoner pent Unwillingly represent A source of innocent merriment! Of innocent merriment!
All prosy dull society sinners, Who chatter and bleat and bore, Are sent to hear sermons From mystical Germans Who preach from ten till four. The amateur tenor, whose vocal villainies All desire to shirk, Shall, during off-hours, Exhibit his powers To Madame Tussaud's waxwork.
The lady who dyes a chemical yellow Or stains her grey hair puce, Or pinches her figure, Is painted with vigour With permanent walnut juice. The idiot who, in railway carriages, Scribbles on window-panes, We only suffer To ride on a buffer In Parliamentary trains.
The advertising quack who wearies With tales of countless cures, His teeth, I've enacted, Shall all be extracted By terrified amateurs. The music-hall singer attends a series Of masses and fugues and "ops" By Bach, interwoven With Spohr and Beethoven, At classical Monday Pops.
The billiard sharp who any one catches, His doom's extremely hard-- He's made to dwell-- In a dungeon cell On a spot that's always barred. And there he plays extravagant matches In fitless finger-stalls On a cloth untrue With a twisted cue And elliptical billiard balls!