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A more human Mikado

Opera details:

Opera title:

The Mikado

Composer:

Arthur Sullivan

Language:

English

Synopsis:

The Mikado Synopsis

Libretto:

The Mikado Libretto

Translation(s):

Not entered yet.

Aria details:

Type:

aria

Role(s):

The Mikado

Voice(s):

Bass or Bass-Baritone

Act:

2

Previous scene: The sun whose rays are all ablaze
Next scene: Alone and yet alive

Donald Shanks - "A more humane Mikado" THE MIKADO (Sullivan) 2004

Singer(s): Donald Shanks Jonathan Biggins

It's quite unusual for a performer to start and conclude their professional careers in the same opera but that's exactly what happened with the Australian bass, Donald Shanks. He was an Opera Australia stalwart who joined the company in 1964 at the age of 23. He gave his first and last performances in Gilbert & Sullivan’s THE MIKADO, taking his final bow (in the title role) in 2004 – forty years after his debut. From that final performance, here is his Entrance and Aria - live from the Sydney Opera House. Rosemary Gunn is the Katisha and the brilliant Jonathan Biggins, in the short dialogue, is KoKo. The orchestra is conducted by Brian Castles-Onion.

Watch videos with other singers performing A more human Mikado:

Libretto/Lyrics/Text/Testo:

A more humane Mikado never
Did in Japan exist,
To nobody second,
I'm certainly reckoned
A true philanthropist.
It is my very humane endeavour
To make, to some extent,
Each evil liver
A running river
Of harmless merriment.

My object all sublime
I shall achieve in time--
To let the punishment fit the crime--
The punishment fit the crime;
And make each prisoner pent
Unwillingly represent
A source of innocent merriment!
Of innocent merriment!

All prosy dull society sinners,
Who chatter and bleat and bore,
Are sent to hear sermons
From mystical Germans
Who preach from ten till four.
The amateur tenor, whose vocal villainies
All desire to shirk,
Shall, during off-hours,
Exhibit his powers
To Madame Tussaud's waxwork.

The lady who dyes a chemical yellow
Or stains her grey hair puce,
Or pinches her figure,
Is painted with vigour
With permanent walnut juice.
The idiot who, in railway carriages,
Scribbles on window-panes,
We only suffer
To ride on a buffer
In Parliamentary trains.

The advertising quack who wearies
With tales of countless cures,
His teeth, I've enacted,
Shall all be extracted
By terrified amateurs.
The music-hall singer attends a series
Of masses and fugues and "ops"
By Bach, interwoven
With Spohr and Beethoven,
At classical Monday Pops.

The billiard sharp who any one catches,
His doom's extremely hard--
He's made to dwell--
In a dungeon cell
On a spot that's always barred.
And there he plays extravagant matches
In fitless finger-stalls
On a cloth untrue
With a twisted cue
And elliptical billiard balls!

English Libretto or Translation:

Not entered yet.

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