Opera title: | Don Carlo |
Composer: | Giuseppe Verdi |
Language: | Italian |
Synopsis: | Don Carlo Synopsis |
Libretto: | Don Carlo Libretto |
Translation(s): | English Deutsch |
Type: | aria |
Role(s): | Elisabeth |
Voice(s): | Soprano |
Act: | 4.01a |
| Previous scene: | Ella giammai m'amò |
| Next scene: | Francia nobile suol |
Aprile Millo (born April 14, 1958) is an American operatic soprano of Italian and Irish ancestry who is particularly admired for her interpretations of the works of Giuseppe Verdi. Possessing a spinto voice of power, warmth and temperament, Millo became one of the most celebrated opera singers of the late twentieth century. Although she has performed at many of the world's leading opera houses and with many orchestras and ensembles internationally, Millo has spent much of her career appearing in productions at the Metropolitan Opera. Aprile Millo was born in New York City, the daughter of two opera singers, tenor Giovanni Millo (John Hamill) and soprano Margherita Girosi. Millo became interested in music at an early age and received her musical education primarily from her parents. Millo is noted for the beauty of her voice and her nuanced interpretation. On April 4, 1986, Donal Henahan wrote in the New York times of Millo's performance in Don Carlo: "Miss Millo sounds more and more like the Verdi soprano we've been waiting for." Later in 1986 (June 18), reviewing a Metropolitan Opera production of Aida in Central Park, Mr. Rockwell wrote, "Miss Millo has a real Verdi sound...her darkly yet delicately colored lower voice, full of urgency in the phrasing, and her overall mastery of this role from a technical and interpretive standpoint, are already very moving. Her performance reached its high point just where it must, in the third act, when Aida grows from a supplicating ingenue into a woman torn by her conflicts. With singing like this, nothing could dull the intensity of Verdi's drama. The concert formality, the populist setting, the amplification, all fell away in the face of real operatic drama embodied in song. If Mr. Domingo and Mr. Pavarotti can match that in the next two parks openers, the Met and its fans will be fortunate indeed."...
Lyrics & English Translation
You have known the vanities of this world,
and now enjoy the grave's last rest,
if there is still pity in heaven
mourn over my sorrow
and carry my tears
at the Lord's presence.
Carlos will come!
he must leave and forget...
I've sworn to Posa
to watch over him.
He must fulfil his destiny,
glory will show him the way.
As for me, my day
has already come to an end!
France, noble land,
so loved in my younger days!
Fontainebleau! All my thoughts
go to you!
There I swore eternal love
To God who heard me
and eternity
lasted only one day.
O merry gardens
of this Iberian land,
if Carlos should yet
stop here at the end of the day,
let the tufts, the brooks,
the fountains, the woods and flowers
with their melodies
sing of our love.
Farewell, farewell golden dreams,
lost hopes!
The knot was cut,
light has lost its splendour!
Farewell, farewell, my younger years!
Giving in under the cruel suffering
my heart has only one desire:
the peace of the grave!
You have known the vanities
of this world, etc.
If there is still pity in heaven, ah,
carry my sorrow at the feet of the Lord!
A link to this wonderful artist's personal website:
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I send my kind and warm regards,
ATTO QUARTO
Il Chiostro del Convento di San Giusto come nell'Atto primo. Notte. Chiaro di luna.
SCENA PRIMA
Elisabetta entra lentamente assorta nei suoi pensieri, s'avvicina alla tomba di Carlo V e s'inginocchia.
ELISABETTA
Tu che le vanità conoscesti del mondo
E godi nell'avel il riposo profondo,
Se ancor si piange in cielo, piangi sul mio dolor,
E porta il pianto mio al trono del Signor.
Carlo qui dee venir! che parta e scordi omai...
A Posa di vegliar sui giorni suoi giurai.
Ei segua il suo destin, la gloria il traccierà.
Per me, la mia giornata a sera è giunta già!
O Francia, nobil suol, sì caro ai miei verd'anni!
Fontainebleau! ver voi schiude il pensiero i vanni.
Giuro eterno d'amor là Dio da me ascoltò,
E quest'eternità un giorno sol durò.
Tra voi, vaghi giardin di questa terra ibéra,
Se Carlo ancor dovrà fermare i passi a sera,
Che le zolle, i ruscel', i fonti, i boschi, i fior,
Con le loro armonie cantino il nostro amor.
Addio, bei sogni d'ôr, illusion perduta!
Il nodo si spezzò, la luce è fatta muta!
Addio, verd'anni, ancor! cedendo al duol crudel,
Il core ha un sol desir: la pace dell'avel!
Tu che le vanità conoscesti del mondo
E godi nell'avel d'un riposo profondo,
Se ancor si piange in cielo, piangi sul mio dolor,
E il tuo col pianto mio reca appié del Signor.
ACT FOURTH
The Cloister of the Convent of San Giusto as in the First Act. Night. Moonlight.
FIRST SCENE
Elizabeth enters slowly in her thoughts, approaches the tomb of Charles V and kneels.
ELIZABETH
You who knew the vanities of the world
And enjoy deep rest in avel
If you still cry in the sky, cry on my pain,
And bring my tears to the throne of the Lord.
Carlo here dee venir! that leaves and forgets omai ...
Posa di vigil on his juraes days.
And he follows his destiny, the glory will trace it.
For me, my day in the evening has already arrived!
O France, nobil suol, so dear to my two years!
Fontainebleau! the vices are opened to you.
I swear eternally of love there God listened to me,
And this eternity one day only lasted.
Among you, vague gardens of this Iberian land,
If Carlo still has to stop the steps in the evening,
That the clods, the ruscel ', the sources, the woods, the flowers,
Our harmonies sing with their harmonies.
Goodbye, beautiful dreams d'ôr, lost illusion!
The knot broke, the light is mute!
Goodbye, two years, still! yielding to the cruel duol,
The core has a sol desir: the peace of the avel!
You who knew the vanities of the world
And enjoy in the avel of a deep rest,
If you still cry in the sky, cry on my pain,
And yours with my weeping bears the sign of the Lord.

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