Libiamo nč lieti calici (Brindisi)

The Brindisi (Libiamo ne' lieti calici) executed by the Italian association IL BEL CANTO with the beautiful performance of the Soprano Lorella Tafuro as Violetta, the Tenor Vencenzo as Alfredo the choir Tripudium and the IL BEL CANTO orchestra during a concert in Maglie Italy. This duet takes part in the first act of the opera La Traviata, at Violetta's house, and it is sung by Alfredo and Violetta

BRINDISI "Libiamo ne' lieti calici" LA TRAVIATA
Libiamo ne'lieti calici (Drinking Song) is the most famous duet from Verdi's La traviata, perhaps one of the most well known fragments of opera around the world, and an obligatory performance (as this opera itself) for any great tenor. The words were written by Francesco Maria Piave. Those who have performed it include Luciano Pavarotti, Giuseppe di Stefano, Plácido Domingo, José Carreras, Enrico Caruso, and many others.

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THE ITALIAN OPERA - IL BEL CANTO
The bel canto opera movement flourished in the early 19th century and is exemplified by the operas of Rossini, Bellini, Donizetti, Pacini, Mercadante and many others. Literally "beautiful singing", bel canto opera derives from the Italian stylistic singing school of the same name. Bel canto lines are typically florid and intricate, requiring supreme agility and pitch control.
The bel canto era style was rapidly popularized by Giuseppe Verdi, beginning with his biblical opera Nabucco. Verdi's operas resonated with the growing spirit of Italian nationalism in the post-Napoleonic era, and he quickly became an icon of the patriotic movement (although his own politics were perhaps not quite so radical). In the early 1850s, Verdi produced his three most popular operas: Rigoletto, Il trovatore and La traviata. But he continued to develop his style, composing perhaps the greatest French Grand opera, Don Carlos, and ending his career with two Shakespeare-inspired works, Otello and Falstaff, which reveal how far Italian opera had grown in sophistication since the early 19th century.
After Verdi, the sentimental "realistic" melodrama of verismo appeared in Italy. This was a style introduced by Pietro Mascagni's Cavalleria Rusticana and Ruggiero Leoncavallo's Pagliacci that came virtually to dominate the world's opera stages with such popular works as Giacomo Puccini's La Boheme, Tosca, and Madama Butterfly. Later Italian composers, such as Berio and Nono, have experimented with modernism

IL BEL CANTO LIRICO DI ITALIA
L'Associazione "Il Bel Canto" programma le proprie attivitŕ concertistiche in Italia e nel mondo. Offriamo un ricco repertorio di Arie con i nostri tenori, soprani, baritoni e coro, opere liriche come Aida, Il Trovatore, Nabucco, Traviata, Ernani di Giuseppe Verdi, Turandot, La Bohčme, La Tosca, Madame Butterfly di Puccini, Il Barbiere di Siviglia e Mosč di Rossini, La Carmen di Bizet, ed altre opere liriche che definiscono l'arte e cultura lirica Melodrammatica in Italia e nel mondo sotto la direzione del MAESTRO CONCERTATORE MARIO CANANA

IL BEL CANTO LIRICO DI ITALIA
La asociacion cultural "Il Bel Canto" programa sus actividades y conciertos en Italia y el mundo. Ofrece un rico repertorio de Arias con nuestros tenores, tenor, soprano, baritono e coro. Operas liricas como Aida, Il Trovatore, Nabucco, Traviata, Ernani de Giuseppe Verdi, Turandot, La Bohčme, La Tosca, Madame Butterfly di Puccini, Il Barbiere di Siviglia y Mosč de Rossini, La Carmen di Bizet y otras operas liricas que definen el arte y cultura lirica Melodramatica en Italia y el mundo bajo la direccion del MAESTRO CONCERTATORE MARIO CANANA