Opera title: | Luisa Miller |
Composer: | Giuseppe Verdi |
Language: | Italian |
Synopsis: | Luisa Miller Synopsis |
Libretto: | Luisa Miller Libretto |
Translation(s): | English Deutsch |
Type: | duet |
Role(s): | Luisa / Miller |
Voice(s): | Soprano / Baritone |
Act: | 3.04 |
Previous scene: | Figlia compreso d'orror |
Next scene: | Ah! l'ultima preghiera |
Soft singing is one of the most difficult skills a singer has to use, and it *should* be one of the last things s/he learns. Why? Because it is impossible to do well if 1) the voice isn't properly registered and 2) if the two registers are not coordinated. And there are so many ways to "sing softly" that effectively harm the voice. You hear them all today—deliberately constricting the sound or engaging interfering tensions (making the sound "thick" and/or "throaty"), collapsing the voice and artificially lightening it. Proper soft singing should still be chiaroscuro; the most difficult aspect is maintaining the "scuro" (the depth and throat opening, all the way down the laryngeal pharynx).
So to hear one of the biggest baritones in history do it correctly—with no distortion and no grunting at the end of the phrases (which would signify constriction/gripping/valving)... and even in the upper passaggio—well... it's incredible.
Miller - Giangiacomo Guelfi
Luisa - Elena Souliotis
Conductor Franco Capuana
Orchestra - Teatro Verdi di Trieste
1965
Sheetmusic for duet | ![]() |
Sheetmusic for opera | ![]() |
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