Opera title: | Otello |
Composer: | Giuseppe Verdi |
Language: | Italian |
Synopsis: | Otello Synopsis |
Libretto: | Otello Libretto |
Translation(s): | English Deutsch |
Type: | aria |
Role(s): | Iago |
Voice(s): | Baritone |
Act: | 2.03 |
| Previous scene: | Vanne la tua meta gia vedo |
| Next scene: | Eccola Cassio a te |
Lawrence Mervil Tibbett (November 16, 1896 -- July 15, 1960) was a famous American opera singer and recording artist who also performed as a film actor and radio personality. A baritone, he sang leading roles with the New York Metropolitan Opera company more than 600 times from 1923 to 1950. He performed diverse musical theatre roles, ranging from Iago in Met productions of Otello to Captain Hook in Peter Pan in a touring show. Although regarded as a dashing, compelling actor as well, Tibbett's true fame stems from the fact that he has long been considered to be, in terms of sheer voice, one of the finest baritones ever to appear at the Metropolitan Opera. His voice was large, with a dark timbre approaching that of a bass, and he commanded a full range of dynamics in his prime, from powerful fortes to delicate pianissimos. He was renowned for his affinity with the works of Verdi, notably his breakthrough role of Ford in Falstaff, Simon Boccanegra in Simon Boccanegra and Iago in Otello. He was also an imposing, sinister Scarpia in Puccini's Tosca, a swaggering Escamillo in Bizet's Carmen and a powerful Tonio in Leoncavallo's Pagliacci...
Lyrics & English Translation
I believe in a cruel God
who created me like himself
in anger of whom that I name.
From the cowardice of a seed
or of a vile atom I was born.
I am a son evil because I am a man;
and I feel the primitive mud in me.
Yes! This is my faith!
I believe with a firm heart,
so does the widow in the temple,
the evil I think
and proceeds from me,
fulfils my destiny.
I think the honest man
is a mockery,
in face and heart,
that everything is in him is a lie:
tears, kisses, looks,
sacrifices and honour.
And I think the man plays a game
of unjust fate
the seed of the cradle
the worm of the grave.
After all this foolishness comes death.
And then what? And then?
Death is Nothingness.
Heaven is an old wives' tale!
A link to this wonderful artists personal website:
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I send my kind and warm regards,
JAGO
allontanandosi dal verone seza più guardar Cassio che sarà scomparso fra gli alberi
Credo in un Dio crudel che m'ha creato
simile a sè e che nell'ira io nomo.
Dalla viltà d'un germe o d'un atòmo
vile son nato.
Son scellerato
perchè son uomo;
e sento il fango originario in me.
Sì! questa è la mia fe'!
Credo con fermo cuor, siccome crede
la vedovella al tempio,
che il mal ch'io penso e che da me procede,
per il mio destino adempio.
Credo che il guisto è un istrion beffardo,
e nel viso e nel cuor,
che tutto è in lui bugiardo:
lagrima, bacio, sguardo,
sacrificio ed onor.
E credo l'uom gioco d'iniqua sorte
dal germe della culla
al verme dell'avel.
Vien dopo tanta irrision la Morte.
E poi? E poi? La Morte è il Nulla.
è vecchia fola il Ciel.
Si vede passare nel giardino Desdemona con Emilia. Jago si slacia al verone, al di là del quale è appostato
IAGO
(walking away from the terrace without another glance
at Cassio, who has now vanished among the trees)
I believe in a cruel God
who created me in his image
and who in fury I name.
From the very vileness of a germ
or an atom, vile was I born.
I am a wretch because I am a man,
and I feel within me the primeval slime.
Yes! This is my creed!
I believe with a heart as steadfast
as that of the widow in church,
that the evil I think
and that which I perform
I think and do by destiny’s decree.
I believe the just man to be a mocking actor
in face and heart;
that all his being is a lie,
tear, kiss, glance,
sacrifice and honour.
And I believe man the sport of evil fate
from the germ of the cradle
to the worm of the grave.
After all this mockery then comes Death.
And then?... And then?
Death is nothingness,
heaven an old wives’ tale.
(Desdemona appears, walking in the garden with Emilia.
Iago darts to the terrace, on the other side of which
Cassio is standing.)

Titta Ruffo
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| Sheetmusic for opera | |
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