Opera title: | Rigoletto |
Composer: | Giuseppe Verdi |
Language: | Italian |
Synopsis: | Rigoletto Synopsis |
Libretto: | Rigoletto Libretto |
Translation(s): | English Deutsch |
Type: | quartet |
Role(s): | Gilda / Maddalena / Duke of Mantua / Rigoletto |
Voice(s): | Soprano / Contralto / Tenor / Baritone |
Act: | 4.04 |
| Previous scene: | Un di se ben rammentomi |
| Next scene: | Venti scudi hai tu detto |
The great Act 3 duet from Giuseppe Verdi's early masterpiece Rigoletto (1851) as sung by two of the Metropolitan Opera's biggest stars of the Golden Age, Giuseppe De Luca (1876-1950) and Amelita Galli-Curci (1882-1963). The recording was made on December 16, 1927 in NY, with the Metropolitan Opera House Orchestra, Giulio Setti conductor, and released on HMV DA 1020 (matrix no. 7-54048).
The recording session is documented in Frederick Fellers' "The Metropolitan Opera on Record" (Greenwood Press, 1984). Galli-Curci and De Luca 6 record sides from 10:30am - 4:25pm at the Liederkranz Hall in NY (E 58th St. between Lexington and 4th Ave.). They recorded this, as well as 'Ah! veglia, o donna' from Rigoletto and 'Imponete' and 'Dite alla giovine' from La traviata. Also on that day they recorded two ensembles: the sextet from Lucia di Lammermoor ('Che mi frena') with Galli-Curci, De Luca, Louise Homer, Beniamino Gigli, Ezio Pinza, and Angelo Bada and the quartet from Rigoletto ('Bella figlia dell'amore') with Galli-Curci, de Luca, Homer, and Gigli.
The record is played on a restored portable Columbia Viva-Tonal 113a, ca. 1928. Sorry for the label shot. The camera on my Macbook's iSight is not good enough to handle faint script but I ensure you the performance itself makes up for any shortcomings of my video capturing capabilities.
DUCA
Bella figlia dell'amore,
Schiavo son dei vezzi tuoi;
Con un detto sol tu puoi
Le mie pene consolar.
Vieni e senti del mio core
Il frequente palpitar.
MADDALENA
Ah! ah! rido ben di core,
Che tai baie costan poco
Quanto valga il vostro gioco,
Mel credete, so apprezzar.
Son avvezza, bel signore,
Ad un simile scherzar.
GILDA
Ah, così parlar d'amore
A me pur intame ho udito!
Infelice cor tradito,
Per angoscia non scoppiar.
RIGOLETTO
a Gilda
Taci, il piangere non vale...
Ch'ei mentiva sei sicura.
Taci, e mia sarà la cura
La vendetta d'affrettar.
Sì, pronta fia, sarà fatale,
Io saprollo fulminar.
M'odi! ritorna a casa.
Oro prendi, un destriero
Una veste viril che t'apprestai,
E per Verona parti.
Sarovvi io pur doman.
GILDA
Or venite...
RIGOLETTO
Impossibil.
GILDA
Tremo.
RIGOLETTO
Va'.
DUKE
Fairest daughter of love,
I am a slave to your charms;
with but a single word you could
relieve my every pain.
Come, touch my breast and feel
how my heart is racing.
MADDALENA
Ah! Ah! That really makes me laugh;
talk like that is cheap enough.
Believe me, I know exactly
what such play?acting is worth!
I, my fine sir, am quite accustomed
to foolish jokes like this.
GILDA
Ah, these are the loving words
the scoundrel spoke once to me!
O wretched heart betrayed
do not break for sorrow.
RIGOLETTO
to Gilda
Hush weeping can do no good...
You are now convinced he was lying.
Hush, and leave it up to me
to hasten our revenge.
It will be quick, it will be deadly,
I know how to deal with him.
Listen to me, go home.
Take some money and a horse,
Put on the men's clothes I provided,
then leave at once for Verona.
I shall meet you there tomorrow.
GILDA
Come with me now.
RIGOLETTO
It's impossible.
GILDA
I'm afraid.
RIGOLETTO
Go!
| Sheetmusic for quartet | |
| Sheetmusic for opera | |
| MP3's for this quartet | on Amazon.com |
| DVD/CD's for this opera | on Amazon.com |