Opera title: | Un Ballo in maschera |
Composer: | Giuseppe Verdi |
Language: | Italian |
Synopsis: | Un Ballo in maschera Synopsis |
Libretto: | Un Ballo in maschera Libretto |
Translation(s): | English Deutsch |
Type: | aria |
Role(s): | Amelia |
Voice(s): | Soprano |
Act: | 2.03 |
| Previous scene: | Ecco l'orrido campo ove s'accoppia |
| Next scene: | Teco io sto |
Dame Gwyneth Jones DBE (born 7 November 1936, Pontnewynydd, Wales, UK) is a Welsh soprano. Before becoming a professional singer, Dame Gwyneth worked as a secretary at the Pontypool foundry. She studied music at the Royal College of Music, London, the Accademia Musicale Chigiana in Siena as well as the International Opera Studio in Zürich. After making her professional debut in 1962 as a mezzo-soprano in Gluck's opera Orfeo ed Euridice, she was engaged by the Zurich Opera House. She soon discovered that her easy top range could enable her to sing soprano roles and she switched to the soprano repertoire from around 1964, her first major soprano role being Amelia in Verdi's Un ballo in maschera. Dame Gwyneth's large-scaled, powerful dramatic soprano voice, unusually robust vocal stamina, stage presence and acting abilities were widely admired, although she also faced criticism for the wobble that her voice developed in the 1970s and which afflicted some of her performances. Nonetheless, she could still be remarkably secure and tonally rock steady beyond the age of 60. One of her most noted achievements was her interpretation of Brünnhilde in the Bayreuth centennial production of Der Ring des Nibelungen under Pierre Boulez and directed by Patrice Chéreau, a performance preserved on both video and audio discs. The recording won a Grammy in 1983. In 2003 Dame Gwyneth made her debut as director and costume designer in a stage production of Der fliegende Holländer in Weimar, Germany. She has also given master-classes for young singers and acted as an adjudicator in international vocal competitions, including the 2009 BBC Cardiff Singer of the World competition. Despite her advancing years and the extraordinary demands of her chosen repertoire, she remains an active performer on the stage, taking on various soprano, mezzo-soprano and even contralto roles with vocal authority and dramatic conviction. In June 2007, she created the role of the Queen of Hearts in the world premiere of Unsuk Chin's new opera, Alice in Wonderland, at the Bavarian State Opera. In February 2008 she sang the part of Herodias in Stephen Langridge's production of Richard Strauss' Salome at Malmö Opera in Sweden. She repeated this role in August 2010, alongside the Salome of Deborah Voigt, in a concert performance at the Verbier Festival in Verbier, Switzerland, and performed the part on stage at the Vienna State Opera in May 2012. She is also the recipient of numerous musical/cultural awards and honours from many different countries and organisations, including the Verdienstkreuz 1. Klasse of the Federal Republic of Germany, the Golden Medal of Honour in Vienna, the Austrian Cross of Honour First Class, the Shakespeare Prize and the Puccini Award. She is a Kammersängerin at both the Vienna State Opera and the Bavarian State Opera and she has been made a Commandeur de L'Ordre des Arts et des Lettres in France. She has also been conferred honorary doctorates by the University of Wales and the University of Glamorgan. She is currently the President of the Wagner Society of Great Britain...
Lyrics & English Translation
Here is the dreadful field where
death is matched with crime!
There are the gallows . . .
The plant is there, it spreads green at the foot. Let me approach.
Ah, my heart freezes!
Even the sound of my own footsteps, everything here
fills me with horror and dread!
And if I must die?
To die! Very well, since it is my fate,
such is my duty, let it be fulfilled, and so be it.
[She is about to proceed.]
But when that herb
has been torn from the dry stem by my hand,
and when in my feverish mind
that heavenly image dies,
what remains to you, once love is lost . . .
what remains to you, my poor heart!
Ah! Who is weeping, what force holds me back?
Does the bleak path hinder me?
Come, courage . . . and be made of stone,
do not betray me, cease from tears;
or cease beating and die,
be annihilated, my poor heart!
[A bell is heard striking the hour.]
Midnight! . . . Ah, what do I see? A head
rises from under the ground . . . and groans!
Its eyes flash with anger
and it stares at me and is terrifying!
[She falls to her knees.]
Please guide me, help me, o Lord,
have mercy on a poor heart!
A link to this wonderful artists personal Website:
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I send my kind and warm regards,
Amelia
[fa per avviarsi]
Ma dall'arido stelo divulsa
Come avrò di mia
mano quell' erba,
E che dentro la mente convulsa
Quell' eterea sembianza morrà:
Che ti resta, perduto l'amor...
Che ti resta, mio povero cor!
Oh! chi piange, qual forza m'arretra,
M'attraversa la squallida via?
Su coraggio... e tu fatti di pietra,
Non tradirmi, dal pianto ristà:
O finisci di battere e muor,
T'annïenta, mio povero cor!
[s'ode un tocco d'ore, lontano]
Mezzanotte! - e che veggio? uno spettro
Di sotterra si leva... e sospira!
Ha negli occhi il baleno dell' ira
E m'affisa e terribile sta!
[cadendo sulle ginocchia]
Deh! mi reggi, m'aïta, o Signor,
Risolleva il mio povero cor!
Amelia
[to start up]
But from the arid stems,
as I will have my hand on that grass,
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| Sheetmusic for opera | |
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